2D animation
From animatic to final render — campaigns, explainers, information graphics.
2D · VECTOR / CEL · 25–60 FPSLABTIME · TECHNICAL & 3D ANIMATION STUDIO — We explain what can’t be shown.
A production studio. Technical animation, VFX and complete visual identity — from concept to broadcast.
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COMPLETED PROJECTS
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PROJECTS ON CINEMA SCREENS
- Airbus
- MBDA
- Hensoldt
- MAN
- Carglass
- Alba SA
- Wrocław University of Science and Technology
- City of Vienna
- Bloober Team
What decides the advantage happens inside.
Inside the mechanism. In microseconds. At a scale no camera can register. We break a complex product down to first principles and show why it performs better. Military systems, machinery, processes — technical animation is the core of the studio.
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M-01
Systems and armament
Principle of operation, tactical advantage, system integration. Material for defence fairs and tenders.
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M-02
Devices and machinery
Exploded views, cross-sections, duty cycles — from a single component to a production line.
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M-03
Processes and technologies
Phenomena too fast, too slow or too small for a lens. We show them at a legible scale.
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M-04
Pre-deployment visualisation
The product looks finished before a prototype exists. Material for presentations, fairs and documentation.
You don’t need an agency. You need one number.
Production split between an agency, an animation studio, a media house and a print house requires coordination nobody puts in the quote.
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P-01
One brief
One conversation defines the entire production. Specifications and technicalities are on our side.
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P-02
Full scope
Concept, production, post-production, preparation for broadcast and print. One team is responsible for the whole.
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P-03
Delivery accountability
The material lands where it should: at the print house, TV station, cinema or online. To spec, on time.
Seven capabilities. One production chain.
3D animation
Modelling, look-dev, simulation, rendering. Photorealism or full abstraction — whatever the task requires.
3D · CGI · UP TO 4K/8KVFX
Compositing, tracking, CGI integration with live action. Broadcast-ready material.
COMP · TRACKING · CGIVideo content
Shoot, edit, grade, sound. The full video production chain.
SHOOT · EDIT · GRADE · -23 LUFSVisual identity
Identity systems: mark, typography, rules of use. Rolled out everywhere — from technical documentation to the trade-fair stand.
BRAND · BRAND BOOK · ROLLOUTGraphic design and DTP
Product support materials — catalogues, documentation, technical trade-fair graphics. From layout to print supervision.
PDF/X-4 · CMYK · 300 DPIMotion design and broadcast graphics
Channel branding, title sequences, boards, lower thirds. Broadcast spec as standard.
BROADCAST · PRORES 422 HQWe don’t stop at a file. We stop at broadcast.
Every distribution channel has its own specification. The client doesn’t need to know any of them.
| Channel | Specification |
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| PDF/X-4 · CMYK · 300 DPI · colour supervision | |
| TV | ProRes 422 HQ · broadcast spec · −23 LUFS |
| CINEMA | DCP · 2K / 4K · SMPTE |
| SOCIAL | 16:9 · 1:1 · 9:16 · 4:5 |
| WEB | H.264 / WebM · adaptive bitrate |
| OOH | large format · 1:10 scaling |
From brief to broadcast. Four stages.
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01
Brief
One conversation. We define the goal, the audience and the distribution channels.
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02
Concept
Script, styleframes, animatic. Direction approved before production.
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03
Production
Animation, VFX, sound. The schedule is defined up front, with checkpoints on agreed dates — no surprises at the end.
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04
Delivery and distribution
Master and every broadcast version. Material to the spec of each channel — delivered to the print house, station, cinema or web.
THIS SEPARATES A STUDIO FROM A CONTRACTOR
SOURCE FILES — CAD, DOCUMENTATION — ARE STORED ON OUR OWN SECURED SERVERS.
A production core. A network of specialists.
A permanent core runs the production and answers for quality. Around it — a network of specialised creators, assembled to match the scale and nature of the project. This is how we deliver large productions without a corporate structure, keeping full control of the result.